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1. Gv canopus procoder 3 update#
2. Gv canopus procoder 3 archive#
3. Gv canopus procoder 3 software#
4. Gv canopus procoder 3 Pc#

This required careful thought, but even a beginner could set up 20 or so encoding templates in an hour. We then configured our encoding settings for each of the above situations. First, we imported our source video into the application. The solution is a batch-encoding application like ProCoder.

This is not some bizarre hypothetical dilemma we invented for this review: This is an everyday real-world problem. You will also want to do similar experiments with the other formats (e.g. That’s a total of six files for one format. Just as one example, when creating MPEG-2 video for your DVD, you might want to compare constant bit rate (CBR) video to variable bit rate (VBR) encoding at 5,000kbps, 6,000kbps and 7,000kbps for quality and compatibility. You will certainly want to experiment with various encoding settings to maximize quality and minimize data rate (file size). All told, you might easily need ten distribution versions of your project. Oh, and you need low-bandwidth versions of each for most people, but also high-bandwidth for the lucky minority on DSL.

Gv canopus procoder 3 Pc#

You also want to distribute your video on the Web, so you need QuickTime for your Mac mates, Windows Media for your PC pals and RealVideo for your relatives. You need MPEG-2 to create DVDs for those with DVD players and MPEG-1 for a CD-ROM for those who don’t.

Gv canopus procoder 3 archive#

The problem is simple to state: you shoot, edit and archive in DV, but you need to distribute your work in a bewildering variety of formats.

Gv canopus procoder 3 update#

This review is based on the 1.21.02 update from Canopus. If you regularly need to process your video in multiple formats or have multiple files that you want to automatically encode to a single format, a transcoding application, such as Canopus ProCoder, is almost a necessity. For many, the final encode for distribution is an anti-climactic and tedious process.

Gv canopus procoder 3 software#

The Edit software was created for the purpose of Testing the product! Reference AVI is a major convenience.The art of the compressionist is an arcane one at best. CANOPUS has always been about the hardware. That, right there, is the reason the codec is proprietary. With DVREX, the codec is built into the hardware. They called DVRex and later products Semi-Pro. Many newsrooms across the entire planet eventually made that change because of the inventions and products of CANOPUS. The News cameras out on the street could, suddenly, change from being giant, clunky, and extremely expensive problems into being neat, light, handheld devices that could go a lot more places. When DVC came out they saw an opportunity within the professional market. When I refer to Canopus, I refer only to the original Japanese company, which began as a manufacturer and provider of only professional video equipment. The reason I post this comment is to clear up a major confusion for many-why the codec has always been proprietary. Which I say only for the purpose of saying I'm not some fresh noob here.) (I met the high end of the original Canopus crew in person at COMDEX one year. I'm one of Martin's forum's regulars the Canopus crew learned to pay attention to. This is from an old and experienced hand with Canopus product, since the DVRex and BETA days of EDIT.